(Re-)Introducing Faunfare

Solid Perfume Locket

Solid Perfume Locket

Over the last two days, I have been updating the storefront with my new line of products. I hope you find them to your liking. I’m absolutely thrilled to be sharing them with you! You can now find all six of my fragrances available for sale in the shop, including two perfume oils, a cologne, and three solid perfumes inspired by wicked plants to kick start a new range called The Poisoner’s Garden. Solid perfumes are also available to purchase set in a gorgeous brass locket featuring Alphonse Mucha’s ‘Flower’ (1897) on the front. These are made-to-order so you can choose which of my solid perfumes to have inside your locket.

Solid Perfume Locket (Open)

Solid Perfume Locket (Open)

In addition to the six perfumes and cologne, I have also branched into other concoctions, such as a duo set of lip butters (they’re creamier versions of lip balms) poured into convenient slide-top tins. Some of you who have been around with me a little longer will also recognise my Night Owl Eye Serum in the Elixirs section, which is a new formulation of an old favourite, now packed with many more wonderful ingredients and soothing aromatic oils.

I think it’s pretty hard to ignore that my packaging has seen the most noticeable improvement. My old 5ml amber bottles had their charm, but I think my new roll-on bottles and ground glass stopper bottles showcase the precious essences more fittingly. The square PET jars I used for my solid perfumes are now reserved for samples only, with metal tins that hold a generous 15ml of the crèmes.

My goal for the next season is to not let myself become too overwhelmed by the everyday processes of running a business, make time for my creative endeavours and continue to blend new scents. I hope to see The Poisoner’s Garden become a sprawling collection (my copy of ‘Wicked Plants’ by Amy Stewart is currently overflowing with post-it notes to mark the plants, flowers, and fungi that have captured my imagination!) I’m also flirting with the idea of producing a few seasonal scents, starting with (Australian) summer that will only be available for the three months. Stay tuned!

Written by Helena and filed in Business | 2 comments

Not Forgotten

Since the beginning of this year, I’ve felt as though my life has been swept up into a tornado and thrown back down, a little worse for wear but still intact. The last entry in this blog (posted a startling 11 months ago) was to celebrate the launch of my new line, Hyde, but the reality of attempting to juggle two distinct lines of perfume (each with their own set of ingredients, packaging, suppliers, bottling area in my studio) along with full-time study and work that has intensified exponentially since, has really hit me hard. Aside from fulfilling a few regular orders each month, I’ve not possessed the energy nor the inspiration to blend new perfumes and my essences laid dormant.

About a month ago, something changed. It was like the storm finally passed, as did my creative stupor, and I was plopped right back down to earth. I also had the marvelous opportunity to spend three days on a camping trip and being closer to nature reawakened my senses, reignited my creative flame, and restored my will to live. Gradually, I’ve wobbled my way back into perfumery and have been inspired to blend some new scents.

So it seems less than a year later, I have found myself doing a 360º and returning right back to the crossroads that got me thinking about my perfumery. If you can recall my second last blog entry, I revealed that my ‘business plan’ to stay sane and happy was not working out so well for me. I wanted to keep my perfumes very affordable, but at the same I wanted to continue developing my skills as a perfumer, which involved playing with new aromatic materials that were significantly more expensive than what I have previously used. I began collecting, experimenting with, and swooning over fragrances with tuberose, orris root butter, and Damascus rose, but there was no way I could use them in perfumes that cost only $15 for a 5ml bottle. So I concluded last year in November that I would divide my creative energy up between two lines: Faunfare for the affordable perfume and Hyde for the higher quality fragrances.

However, I regretfully acknowledge that in the light of the absolute and utter exhaustion that resulted in my creative paralysis this past year is testament enough that my plan did not work. It was like trying to cram 4 lives (2 perfumers, 1 PhD student, 1 tutor) into the one, so my strategy desperately needs some changes.

First, I’ll be discontinuing my Hyde line and closing that side of my business down. This is a decision I have made with some sadness as it’s presence fulfilled a great part of myself that really cherished being expressed. They’ve been slow sellers compared to Faunfare as I think they’re less accessible and wearable. I also believe I missed the mark with the pricing as I was still reluctant to charge a lot more for my Hyde perfumes but as a result, had to compromise by making the perfumes less concentrated. The result is that they’re lighter-smelling, smaller bottles, yet more expensive.

I’ll continue to hold on to Hyde‘s legacy, and that’s a growing sense of who I am as a perfumer. I look back on some of the fragrances of my current Faunfare line and I have to confess they don’t really reflect me anymore. ‘Artemis’ was my attempt to recapture the commercial success of my previous citrus-based perfumes, but it is far too complex to evoke the sense of spirit and freedom I had hoped to achieve. Similarly, ‘Mnemosyne’ is crowded and chaotic, a cacophony of flowers. Others like ‘Prometheus’ is too generic and doesn’t offer a unique perspective.

Samples of Faunfare Natural Perfumes

Samples from the Upcoming Line

I’ve decided to wipe the slate clean once more and replace my current line at Faunfare with new work. One notable exception is the revival of one of my all-time favourites from my first ever line, the original night-blooming fragrance of ‘Nyctanthous’. The only difference is that it’s been reformulated to be longer-lasting. I’ve waited until I was sure I had a new range of scents I’m truly happy with before I shared with you this decision. My works-in-progress include three perfume oils (two perfumes and one cologne), three solid perfumes, two lip balms, and all new packaging. I’m also pleased to say samples I have finally found decent glass vials so samples will at last be coming back to my store and you will have the opportunity to try these scents before committing to a full bottle purchase. I hope loyal customers of both my Faunfare and Hyde ranges will understand these decisions and continue to support this next chapter of my journey as a perfumer, as you have all the chapters before this.

Written by Helena and filed in Business | 2 comments

Black Friday Launch of Hyde

I’m absolutely thrilled to share with you the début of my new line:

hydonism.com

Hyde is my new luxury line of avant-garde fragrances devoted to a hedonistic way of life. The début line includes the intensely popular Jack the Ripper, which now returns as a permanent addition to Hyde, as well as four new scents—Initiation (a lush floral of Turkish rose and Egyptian jasmine), de Sade (a lusty leather of tobacco and cognac), Opium (of narcotic tuberose by popular request), and Sorcery (a bright chypre of golden champaca).

In the last few months, many of you have expressed the desire for my perfumes to also be available in other forms of bath and body products so you can layer the scent as a part of your bathing and beauty regime. I’ve taken your fantastic suggestions on board and will very soon be following the line-up with bath salts, sugar scrubs, and reed diffusers. In the meantime, my perfumes are available for you to try in order to find which scents you like the best before its accompanying products are launched.

Every order is finished with signature black wrapping, which makes it perfect for gifting for the upcoming holidays.

From now until 30th November, find a unique, handmade gift or just indulge yourself with anything from both Faunfare and Hyde, with free shipping worldwide when you use the coupon code “blackfriday” at checkout.

Written by Helena and filed in Business | 1 comment

At the Crossroads

This entry has been sitting half-written in my Evernote files for the last month.  The constant ebb and flow of my circumstances and frame of mind this last month made it impossible for me to pen anything down for certain.  My previous entry was about the launch of a new liquid perfume, ‘Circe’. According to some myths, Circe was the daughter of Hecate, to whom crossroads were sacred. It seems fitting now that after blending ‘Circe’, I found myself at the crossroads with my business. I have cycled through many resolutions in the last few weeks and it’s about time I shared with you a slice of the chaos happening behind the scenes.

When I launched Faunfare, my one and only objective for this project was to stay sane and be happy. That’s definitely not what you’d call an adequate business plan, but I didn’t think of this as a business. My perfumery has, since the very first day, been my art. The literature, music, experiences and stories that inspire me are translated through scent in every one of my perfumes and before I knew it, customers (patrons) fuelled my pursuit to keep creating and allowed me to earn back the criminal sums of money I was putting into my art with purchases of perfumery equipment, bottles, and raw essences.  The natural ingredients used in my perfumes are considerably more expensive than synthetic aroma chemicals used in commercial perfumes. Unlike molecules produced in laboratories, flowers are living things that only bloom in certain climates, conditions and seasons in a year. The most prized essences such as jasmine, tuberose, and rose need to be picked by hand and undergo extensive treatments before it becomes the rich, concentrated oils and absolutes I purchase. For example, 750kg of jasmine blossoms are required to produce only 1kg of the absolute, which recently cost me $94 to obtain 15ml (½oz.). A frequently requested ingredient, tuberose, was $80, and an exquisite Turkish rose set me back $103 for the same amount. You can see why I don’t collect shoes or handbags.

Tuberose

Tuberose

Those of you who have been with me since the beginning know that keeping my prices low has always been a priority for me. In fact, it became somewhat of a rabidly zealous mission. Last month, my sales reached an all-time high, but I realised that my mission was not serving well when I learnt that it took me a painfully tedious hour to bottle and package just one full perfume sample set (currently retailing at $20) and it hit me that my one simple goal to stay sane and happy was not even being met. This last month, I have struggled between the decisions to increase my prices, decrease the quality/cost of my perfumes, or just crawl into bed with chocolate while nursing the killer RSI from bottling. My current prices are reasonable for full bottles, but they are currently driving me crazy with samples, and they’ve also been way too limiting to consider integrating more beautiful packaging or blending with those divine ingredients (at profane costs) I mentioned before.

As the weather warms and we approach summer here in Sydney, my mood and outlook shifts to something colder, deeper and darker in attempts to find equilibrium. My partner says my Mr Hyde side is coming out, which unexpectedly struck me with a tempting idea. Rather than drive up prices or compromise on the quality of my perfumes at Faunfare, I can cultivate a new line, another facet to Faunfare that will give me the freedom to create hedonistic perfumes and bath and body products with luxurious ingredients, presented in exquisite packaging that will make you proud to present my creations as gifts to those you most adore, as well as offer a custom fragrance creation service.

Jack the Ripper perfume

'Jack the Ripper' perfume

And for those of you wondering, my most coveted creation to date, ‘Jack the Ripper’, will be returning as a permanent addition to the new line as an even more irresistible figure of beguiling jasmine, crimson roses, and crushed clove, with a glass of cold absinthe.

Faunfare will remain as the frolicsome creature that she is, delivering her spirited liquid and solid perfumes at affordable prices. On the other hand, I will be excited to introduce you to her more sinister counterpart, come 26th November, on Black Friday.

Written by Helena and filed in Business | 5 comments

The Story of Circe

A month has passed since I re-opened the doors to Faunfare since my sabbatical and launched this website. I often dream of becoming an overnight success, but the reality of running a business is that it’s a long, slow haul. Every now and then, I receive a touching piece of praise from a customer or insightful advice from a friend, and I feel galvanised to leap back over to my workbench and continue blending my next scent. The journey of an independent perfumer is one of continual mistakes and learning, where I pick myself up, dust myself off, and find the perseverance to continue plowing ahead. Occasionally, I also find myself facing difficult decisions, and I feel this is where I am now. However, that’s for a future blog post.

This month, I launched a new fragrance I have had in the works for a while, called ‘Circe’ (pronounced “sir-say”). Named after the sorceress who turned Odysseus’ crew into swine, ‘Circe’ is an aromatic chypre, curious and enticing as the enchantress herself. (You can read more about the fragrance family of chypres in my Story of Athena.) The need for a fragrance was established after the mixed response I received for my first chypre, ‘Athena’. People either loved it with a passion and felt it spoke volumes to them, or they found her and her cavalry all too overwhelming for them. Although chypres are the kinds of perfumes that are confident and commandeering, and never for the faint of heart, it made me wonder if there was a way to achieve a chypre scent that lured you willingly into its embrace rather than charged into your attention. Admittedly, I was at first apprehensive about ‘Circe’, because aromatic chypres (such as ‘Sous le Vent’ by Guerlain and ‘Aromatics Elixir’ by Clinique) are difficult to like. They are not the types of fragrances you would give to just anybody, especially if they were not long time lovers of perfume.

'Circe Offering the Cup to Odysseus' by John William Waterhouse (1891)

'Circe Offering the Cup to Odysseus' by John William Waterhouse (1891)

The reason why they are often considered less accessible is in the head notes, which is what you would sniff when you first take off the cap and dab or spray it on yourself. Although seasoned perfume-lovers wait to experience the head, heart and base notes of a perfume before passing judgements, many people are still inclined to make snap judgements of a scent in the first few second of wear. Aromatic chypres contain herbal head notes along with the citrus, which can often translate as a spice rack or kitchen pantry.

Circe Sample

Circe Sample

I tried to capture a strange and exciting witches’ potion in ‘Circe’ in the herbaceous head notes, and so I used a concoction of coriander, juniper berry, French lavender and black pepper, along with blood orange and bergamot. After 15 minutes or so when the top fades, the perfume becomes a medley of notes that I can only describe synaesthesically as deep crimson.  I use a lush blend of Moroccan and Turkish roses and add a dose of the intoxicating ylang ylang and nagkesar. Finally, the base is a dark, sweet, and earthy blend of oakmoss, patchouli, and tolu balsam. To celebrate the launch of this new perfume, all orders over $20 (before shipping), receive a free sample of ‘Circe’!

Ceylon Ironwood by Scott Zona

'Mesua Ferrea' by Scott Zona

Nagkesar is the national tree of Sri Lanka and is also known as Ceylon ironwood, Indian rose chestnut, and Cobra’s saffron. The wood is very heavy and strong and it has long, slender red leaves and white flowers with abundant yellow stamens. The oil derived from it is rich and sweet and is redolent of heady incense.

Written by Helena and filed in Mythos | 5 comments

A Belated Swan Song

A beloved long-time customer entreated me to conjure up a bottle of perfume from my former collection and it made me realise that it never did quite receive a proper send-off. I focussed so much of my efforts on reconceptualising Faunfare and creating a new line that I didn’t even consider how it may have left my customers wondering what happened and why I chose to discontinue them. The perfumes of my former collection characterised my early development as a perfumer and as my skills and knowledge improved, it’s tempting to wipe the slate clean and hide my initial attempts (with their inherent flaws and limitations) from view. However, forgetting they ever existed fails to acknowledge or appreciate their important roles in my learning. As such, I wanted to devote this entry to sharing how I created my old line and my reasons behind their discontinuation.

I stumbled across natural perfumery by chance and made my first few steps in a very haphazard way. I grew up with the narrow, commercial imagery of perfumes as boutique brand glamour spritzed by uber feminine women who never leaves the house without lipstick, 6″ heels, and their poodle. I long-harboured the notion that perfume just wasn’t for me and imagined that even if I found my way into a perfume store, I would probably be given the glance-over and promptly shooed away. Although perfume bottles would regularly find their way into our house, I had never smelt anything I remotely liked. It wasn’t until I turned 18 that a very wise and sophisticated woman I met in an Econometrics lecture taught me that fragrance should be about seducing yourself. It’s not limited to the best seller of the season, the aphrodisiacs to your desired gender, or even the classic names that make envious peers swoon. Perfumes should be whatever smells good to us and on us.

5ml bottle of 'Chariot'

5ml bottle of 'Chariot'

I took us on this detour through the scenic route of my life to paint an image of just how truly green I was to the world of perfume when I blended my first oils. With only a basic knowledge of essential oils via a past life spent working in an esoteric New Age store, I blended what simply smelled good to me. After a few trial blends, I exhausted the possibilities of my meagre collection of essences and began to expand my perfume organ. The first ever perfume I created was inspired by Hades, the Greek God of the Underworld, called ‘Chariot’. It was a dry, woody blend of patchouli, cedarwood, cypress, petitgrain, bergamot, and peppermint. I was encouraged by friends to begin selling my creations on Etsy, where the success of my perfumes took me by surprise.

If I had a time machine, I would go back to this point in time and tell myself to go do some more study instead. In the 20/20 of retrospection, this is when I began to stagnate as I focussed on making what sold well rather than what challenged me to be a better perfumer. My former line was blended from a palette of affordable natural essences from suppliers whom I’ll probably not order from again, and inspired by not just mythology, but also what I observed sold well on Etsy, such as gothic aesthetics and concepts reminiscent of Black Phoenix Alchemy Lab.

I received a wake-up call that this was not how I wanted to do business when a friend of mine suggested a could sell my perfumes at a local crafts market. When he mentioned that I would have the opportunity to actually meet my customers face-to-face and share with them my passion and enthusiasm for my perfumes, the first thought that flashed through my mind was how embarrassed I would feel to promote my perfumes to browsers. I realised I had no pride for my work because although I hadn’t admitted it aloud to myself, I knew that despite the modest but growing popularity they enjoyed on Etsy, they were far from the level of standard I would like to achieve.

My collection of essences

My collection of essences

When I took a few weeks off my store last month, I enjoyed a brief but creatively challenging sabbatical where I did nothing but immerse myself in perfumery books. From my own pocket, I invested in the largest augmentation to my perfume organ and even rearranged my apartment so that I could have a small room set aside for my blending. The average cost of my oils tripled, because I took the time and effort to seek out much higher quality suppliers and sampled their essences extensively before making my investment. It was during this time that I really tapped into my passion for this craft. The first thing I did after finalising each and every scent I have blended for my current line at Faunfare was to blend a full bottle or pot for myself. I have been wearing them everyday since and I feel no reluctance to share them with the world and stand tall and proud beside them.

Today marks the Spring Equinox for those of here down under. It is a time when day and night are in perfect balance. Ostara also represents a new dawn and new life. I would like to wish everybody a happy Equinox, whether you are enjoying the first warmth breath of spring or welcoming in the cool crisp air of autumn. To celebrate this time of the year, please enjoy a 20% off on all products at Faunfare until the end of the month! Simply use the code “equinox” when you checkout here at the main storefront to have the discount applied straight to your order total.

Written by Helena and filed in Festivities | Leave a comment

The Story of Eros

A couple of weekends ago, I had an absolutely amazing night out with some old friends. One of them is getting married on 2nd October and for her bachelorette party, we went to the Blush Dance School in Sydney had an evening of cocktails and burlesque dance lessons. Being a long-time admirer of beauties like Lili St Cyr, I was over the moon when I found out what was in store for us. In attempts to keep my overwhelming excitement and anticipation under control, I put on some big band hits the morning of the burlesque night out and began concocting a scent to share with my fellow femme fatales and sex kittens.

Lili St. Cyr

Lili St. Cyr

I felt the key characteristic for this fragrance had to be voluptuousness. I wanted it so rich and smooth that when you sniff it, you want to do nothing more than languish on a plush, burgundy velvet chaise in your best pearls, or ravish a woman who fits that descriptions, whatever your preference. There were going to be a few friends there on the night who aren’t quite as warmed up to the idea of burlesque as I am, so I also wanted this scent to tease out the inner temptress and inspire us all to let go of our inhibitions. In a nutshell, it had to have some va-va-voom!

My preferred approach to perfume creation is one of building a pyramid where I start at the base. I took the most delectable, full-bodied essences I had, including 30 fold Madagascan vanilla, Siamese benzoin absolute for extra creaminess, and a good dose of the decadently sweet Peru balsam. Next, I played around with a few variants on the heart notes, but eventually I settled with a luscious bouquet of the aphrodisiacal tuberose and ylang ylang, accompanied by a chorus of two species of rose and jasmine grandiflorum for some old-fashioned romance and glamour. At this point, I took the perfume to my partner, whose reaction was an underwhelming, “Hmm”. His assessment was that it was “nice” but not particularly reminiscent of burlesque. I took the bottle back to my workbench and decided not to hold back. I vamped this “nice” bouquet into a spicy floral, adding to the mix the hot, fiery essential oil of cinnamon bark to make your mouth water.

I’m particularly excited about the head notes. Bois de rose (Brazilian rosewood) sets a bridge between the heart and top. It amps up the florals in the body, while also imparting a unique, vintage quality to the first experience of this perfume. I know, ‘vintage’ seems to be one of the words that gets thrown about much too carelessly now with barely any agreement on it’s meaning, but what I mean about bois de rose is that it’s beautifully redolent of nostalgia. Every time I smell it in a fragrance, it makes me think of old books, sepia photographs, handwritten letters, and antique furniture. However, blood orange takes centre stage at the top. It is my favourite of the citrus essences, precisely for its fullness that I wished for this scent to embody. Accentuating the perfume at the top is also the warm breath of nutmeg, a dry, powdery head note that is unusually erotic, adding more depth and soul to the blend of bois de rose and blood orange.

When I completed this blend, I knew immediately that it was destined to be a solid. Warm fingers sliding over the silky wax, rubbing the balm onto skin that emanates with this rich, sensuous fragrance from one’s body heat… All that was left was the name. Aphrodite was the obvious choice, but it didn’t sit quite right with me. I’m more inclined towards a Pre-Raphaelite interpretation of Aphrodite as a classically romantic figure, perhaps a deity better captured with a traditional floral bouquet. This solid I had created was spicier and spritelier, perhaps not so obviously a persona I would see as a burlesque performer, but someone who represented the fun, freedom, and frivolity of burlesque. That was how I arrived on Eros, the son of Aphrodite and God of sexual love, desire, and beauty.

'The Abduction of Psyche' by Bouguereau (1895)

'The Abduction of Psyche' by Bouguereau (1895)

Eros’ is my fourth solid perfume but it is not yet available in my store. However, the newly released solid perfume sample set lets you try a preview of it along with my three existing solids, Apollo, Orchid, and Prometheus. I hope you get the chance to experience it and find it fulfils its intent to melt away all your inhibitions! I’m anticipating releasing the full pot in my store in November.

If you didn’t find this entry a complete snooze, I’ll continue my Mythos series next month with the story behind ‘Mnemosyne’.

Written by Helena and filed in Mythos | 2 comments

The Story of Athena

Athena

I set out to begin my study break from running my store by getting acquainted with the chypre (pronounced sheep-re). Chypre is a classic fragrance family composed of citrus top notes like bergamot, floral heart notes like jasmine and rose, woody notes like patchouli, and an oakmoss and/or musk base. Chypres are exceptionally versatile, comprising of diverse sub-families such as animalic (such as ‘Cabochard’ by Grès), floral (‘Knowing’ by Estée Lauder), fresh-citric (‘Diorella’ by Dior), fruity (‘Femme’ by Rochas, ‘Mitsouko’ by Guerlain, ‘Y’ by Yves Saint Laurent), green (‘No. 19′ by Chanel), leathery (such as ‘Cuir de Russie’ by Chanel), and woody-aromatic (such as ‘Aromatics Elixir’ by Clinique). Often incorrectly referred to as having been invented by François Coty in 1917 with his commercial hit, ‘Chypre’, this truly classic and enduring formula has been in existence since the Roman Empire.

Chypre is a fragrance of juxtapositions. The bright, efferescence of it’s hesperdic top notes masks a richer, darker core. It’s both cool and warm, soft and strong, masculine and feminine. It’s the chypre’s inherent complexity, reflective of the paradoxical quality of human nature, that renders it such a timelessly sensual and intriguing family.

Classic chypres were particularly seductive for their potent and unrelenting personalities, however, modern chypres temper the aggression of its predecessors to remain likable for mainstream tastes. Patrons of my old line will remember a fragrance entitled ‘Chypre’, however, my old ‘Chypre’ actually drew on the literal translation of the name (French for the island of Cyprus) for its inspiration, as it was believed to be the birthplace of Aphrodite.

Pallas Athene by Klimt (1898)

'Pallas Athene' by Klimt (1898)

I knew without a doubt that for the launch of my new line, I wanted to create a genuine chypre that was as uncompromising as the first perfumes of this family and the patron deity of Athens, Athena, immediately charged into my mind. She was both a courageous and wise goddess of war, as well as a talented weaver and craftswoman.

Douris Cup (470 BCE)

Douris Cup (470 BCE)

For me, Athena represented the multifaceted nature of the chypre and captured both the fragrance’s commandeering and complex character. The base notes form a wet, tenacious, mossy accord of oakmoss and vetiver, exactly what I would I imagine the grassy hills would smell like beneath a stampede of soldiers and steeds. I chose a slightly unconventional heart of Bourbon geranium for its unique character as a floral to be aggressive and penetrating, as opposed to the creamy softness of Turkish roses or the pale delicateness of white jasmine blossoms. ‘Athena’, like its namesake, is best enjoyed fearlessly.

The ingredient of oakmoss has in recent times become a contentious issue. The International Fragrance Association (IFRA) proposed to limit the use of oakmoss to no more than 0.1% in perfumes in 2000 due to it being a sensitiser. I do not have the chemistry knowledge to contribute to the debate on whether this is justified or necessary, however, you can read a more detailed article about it on The Perfume Shrine. This resulted in a vast number of reformulations during the last ten years, most sadly of the original chypre greats such as ‘Mitsouko’ and ‘Miss Dior’. Many of the newer perfumes classified as chypres today actually contain no oakmoss but approximate the foresty-earthy base with synthetics, patchouli, and vetiver, much to the dismay of chypre devotees. Oakmoss is undoubtedly a singular creature and the new tableau of chypres have not quite succeeded in capturing its velvety lush scent of damp forest floor. For those who have a penchant for chypres and do not suffer adverse reactions to oakmoss, independent perfumers are quickly becoming one of the only remaining avenues for authentic chypres.

The Mythos series will be continued before the end of the month with a upcoming spicy floral, ’Eros’.

Written by Helena and filed in Mythos | 9 comments

Introduction

While I’m no stranger to blogging, this first post since my introductory toe-dip into the waters of the Faunfare blog has been a difficult one to muster. I have religiously followed the blogs of some incredible aesthetic perfumers: Andy Tauer, Ayala Sender, and Justine Crane, just to name a few. Their passion for and dedication to their art is evident in the perfumes they produce, but their blogs reveal a side of them that is also eloquent, candid, and humorous. I find that as I sit down to write, I’m feeling a hint of performance anxiety, and a great deal of shyness. I don’t think I’m very adept at expressing myself in words, which is one reason why I prefer to use scent to capture the dreams and emotions that I wish to evoke.

Despite this, overcoming this challenge is important to me because there are ruminations about draft fragrance concepts to discuss, research about perfumery that I would love to share, debates about the industry to spark, and occasionally, misperceptions to correct. Above all else, my customers have been some of the most warm, generous and supportive advocates I could have ever asked for, and this blog will provide a wonderfully simple way to keep the doors to my atelier open to you and for me to express my continual gratitude.

Bottling Sample Vials

My workbench after bottling samples

In the coming weeks, I will begin publishing the first post of what will become an ongoing series in this blog entitled Mythos, which will provide the rich stories that inspired each of my scents, beginning with Athena.

Written by Helena and filed in Website | Leave a comment

A Gathering in the Woods

Welcome dear friends and fauns! The time has finally come to mark the beginning of a new chapter for Faunfare. Today, a brand new website and shop months in the making, has been launched to provide a more convenient and personal shopping experience.

This blog is an accompaniment to the storefront, where I’ll be exploring life deep in the woods behind Faunfare. I aspire for this blog to become a candid and heartfelt medium for me to share with you my passion with natural and artistic perfumery, and I hope that you may find this blog inviting and comfortable for you to share with me your love affair with fragrance too.

Please feel free to introduce yourself, regardless of when or how you have found me, and let me know if there are topics you would particularly like for me to cover on this area of the website!

Your ever fervent perfumer,
Helena

Written by Helena and filed in Website | 4 comments