A couple of weekends ago, I had an absolutely amazing night out with some old friends. One of them is getting married on 2nd October and for her bachelorette party, we went to the Blush Dance School in Sydney had an evening of cocktails and burlesque dance lessons. Being a long-time admirer of beauties like Lili St Cyr, I was over the moon when I found out what was in store for us. In attempts to keep my overwhelming excitement and anticipation under control, I put on some big band hits the morning of the burlesque night out and began concocting a scent to share with my fellow femme fatales and sex kittens.

Lili St. Cyr
I felt the key characteristic for this fragrance had to be voluptuousness. I wanted it so rich and smooth that when you sniff it, you want to do nothing more than languish on a plush, burgundy velvet chaise in your best pearls, or ravish a woman who fits that descriptions, whatever your preference. There were going to be a few friends there on the night who aren’t quite as warmed up to the idea of burlesque as I am, so I also wanted this scent to tease out the inner temptress and inspire us all to let go of our inhibitions. In a nutshell, it had to have some va-va-voom!
My preferred approach to perfume creation is one of building a pyramid where I start at the base. I took the most delectable, full-bodied essences I had, including 30 fold Madagascan vanilla, Siamese benzoin absolute for extra creaminess, and a good dose of the decadently sweet Peru balsam. Next, I played around with a few variants on the heart notes, but eventually I settled with a luscious bouquet of the aphrodisiacal tuberose and ylang ylang, accompanied by a chorus of two species of rose and jasmine grandiflorum for some old-fashioned romance and glamour. At this point, I took the perfume to my partner, whose reaction was an underwhelming, “Hmm”. His assessment was that it was “nice” but not particularly reminiscent of burlesque. I took the bottle back to my workbench and decided not to hold back. I vamped this “nice” bouquet into a spicy floral, adding to the mix the hot, fiery essential oil of cinnamon bark to make your mouth water.
I’m particularly excited about the head notes. Bois de rose (Brazilian rosewood) sets a bridge between the heart and top. It amps up the florals in the body, while also imparting a unique, vintage quality to the first experience of this perfume. I know, ‘vintage’ seems to be one of the words that gets thrown about much too carelessly now with barely any agreement on it’s meaning, but what I mean about bois de rose is that it’s beautifully redolent of nostalgia. Every time I smell it in a fragrance, it makes me think of old books, sepia photographs, handwritten letters, and antique furniture. However, blood orange takes centre stage at the top. It is my favourite of the citrus essences, precisely for its fullness that I wished for this scent to embody. Accentuating the perfume at the top is also the warm breath of nutmeg, a dry, powdery head note that is unusually erotic, adding more depth and soul to the blend of bois de rose and blood orange.
When I completed this blend, I knew immediately that it was destined to be a solid. Warm fingers sliding over the silky wax, rubbing the balm onto skin that emanates with this rich, sensuous fragrance from one’s body heat… All that was left was the name. Aphrodite was the obvious choice, but it didn’t sit quite right with me. I’m more inclined towards a Pre-Raphaelite interpretation of Aphrodite as a classically romantic figure, perhaps a deity better captured with a traditional floral bouquet. This solid I had created was spicier and spritelier, perhaps not so obviously a persona I would see as a burlesque performer, but someone who represented the fun, freedom, and frivolity of burlesque. That was how I arrived on Eros, the son of Aphrodite and God of sexual love, desire, and beauty.

'The Abduction of Psyche' by Bouguereau (1895)
‘Eros’ is my fourth solid perfume but it is not yet available in my store. However, the newly released solid perfume sample set lets you try a preview of it along with my three existing solids, Apollo, Orchid, and Prometheus. I hope you get the chance to experience it and find it fulfils its intent to melt away all your inhibitions! I’m anticipating releasing the full pot in my store in November.
If you didn’t find this entry a complete snooze, I’ll continue my Mythos series next month with the story behind ‘Mnemosyne’.